All John Neagle Oil Paintings

1796-1860 John Neagle Gallery Neagle's training in art began with instruction from the drawing-master Pietro Ancora and an apprenticeship to Thomas Wilson, a well-connected painter of signs and coaches in Philadelphia. Wilson introduced him to the painters Bass Otis and Thomas Sully, and Neagle became a protege of the latter. In 1818 Neagle decided to concentrate exclusively on portraits, setting up shop as an independent master. Aside from brief sojourns in Lexington, Kentucky, and New Orleans, Louisiana, he spent his career in Philadelphia. In May 1826 he married Sully's stepdaughter Mary, and for a time the son-in-law and father-in-law dominated the field of portraiture in the city. Neagle served as Director of the Pennsylvania Academy of Fine Arts, and was also a founder and president (1835-43) of the Artist's Fund Society of Philadelphia.
 

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John Neagle John Haviland oil on canvas


John Haviland
John Haviland
Painting ID::  88763
  1828(1828) Medium Oil on canvas Dimensions 83.8 x 66 cm (33 x 26 in) cyf
  1828(1828) Medium Oil on canvas Dimensions 83.8 x 66 cm (33 x 26 in) cyf

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John Neagle Portrait of a man in coat oil on canvas


Portrait of a man in coat
Portrait of a man in coat
Painting ID::  88765
  1840(1840) Medium Oil on canvas Dimensions 76.8 x 62.9 cm (30.2 x 24.8 in) cyf
  1840(1840) Medium Oil on canvas Dimensions 76.8 x 62.9 cm (30.2 x 24.8 in) cyf

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John Neagle Dr William Potts Dewees oil on canvas


Dr William Potts Dewees
Dr William Potts Dewees
Painting ID::  97926
  1833(1833) Medium oil on canvas Dimensions 144 x 113,7 cm cyf
  1833(1833) Medium oil on canvas Dimensions 144 x 113,7 cm cyf

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John Neagle Gilbert Stuart oil on canvas


Gilbert Stuart
Gilbert Stuart
Painting ID::  97995
  1825(1825) Medium oil on canvas Dimensions 68.9 x 56.2 cm cyf
  1825(1825) Medium oil on canvas Dimensions 68.9 x 56.2 cm cyf

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     John Neagle
     1796-1860 John Neagle Gallery Neagle's training in art began with instruction from the drawing-master Pietro Ancora and an apprenticeship to Thomas Wilson, a well-connected painter of signs and coaches in Philadelphia. Wilson introduced him to the painters Bass Otis and Thomas Sully, and Neagle became a protege of the latter. In 1818 Neagle decided to concentrate exclusively on portraits, setting up shop as an independent master. Aside from brief sojourns in Lexington, Kentucky, and New Orleans, Louisiana, he spent his career in Philadelphia. In May 1826 he married Sully's stepdaughter Mary, and for a time the son-in-law and father-in-law dominated the field of portraiture in the city. Neagle served as Director of the Pennsylvania Academy of Fine Arts, and was also a founder and president (1835-43) of the Artist's Fund Society of Philadelphia.

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